Friday, December 31, 2010

Symbols in the sky

On the European meeting deciding the method and time-schedule through which the working class may best be exploited. Apparently the big dogs are having some disagreements as to how to go about it.


"Mysterious currents up there"


And here's the art for a mock-up like Time's 'man of the year' covers, of Greek minister of finance, Giorgos Papakonstantinou, who acts as the liaison between foreign and domestic powers deciding, again, the best way for the sheep to be fleeced.



Though the graphical element is missing, imagine it saying "Papakonstantinou: (Worst) man of the year"

The second one is interesting, technically, because every color you see on there is on a separate layer, and is completely opaque, there is no soft blending or mixing like you would have with real media, there's just dots and contours. This is very close to the method I use to color in my pixel art pieces. It's very time-consuming but it seems worth investigating because I have great control over every shade that makes it up on the screen/page. The image is photo-traced, sadly. If I had more time I'd transfer properly (silly little grid and all, or perhaps even eyeballing like I usually do) but the rendering needed many hours in itself, there just wasn't time for artistic pride in the copy process.

On other news, we're almost out of 2010. Difficult year but interesting. I kept the promises I made around the same time last year (get a job, figure some internal shit out) and this year I'm going to commit to furthering both work and personal ventures at the same time, to find a way to keep the juggling act going without much sanity loss. Also I am committing to being a better friend for my friends, to contact them more often and to find more time in my week to pay them visits. I also want to become a person less prone to severe statements and value judgments, but I fear that's too ingrained in my personality to be something so easily managed. Also, I probably should devote some time to both physical and emotional therapy, since I can now sorta afford it and parts of my body/psyche need it. What will you do this year, reader?

-Helm

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Monday, December 20, 2010

I guess I wasn't done.

I'm inking an extra chapter for ZX. I wonder if I should put it online here or just save it for the print version.


It's about 6 pages (some of them sparser than others). It goes right after the flashback sequence with the car crash, but before the final chapter (9) where Stephan and ZX say their goodbyes. It documents in more detail the psychological fallout of what happened and how exactly, the ZX entity came to appear out of that.

Also a final page after the end of the comic, which as some readers might remember, I've debated on including.


The missing chapter could be inferred by the reader but I felt that there is a degree of anguish and mental-mutilation involved that I didn't trust the reader to invent in the case they've never lost someone they love very much. As I didn't want this comic to just tall to the grief-stricken about what they already know, I'm in the process of inking that extra chapter.

Then I'm done. Honest.

Should I post it here or should it be an added bonus for the print version, you think?

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Wednesday, December 8, 2010

I'm doing some work for a magazine

It's called Epikaira, which is Greek for 'current events'. It's a political mag through and through. literally. The content is fiercely committed to the examination of current affairs both native to Greece and in the more broad geopolitical sense, from first page to last. It's kind of a challenge for me, this context, but I'm growing accustomed to it. Coworkers are very kind and I have been paid promptly and fairly for my efforts, so there's that! (I hadn't posted about this job until first compensation to avoid a reprise of the previous fiasco)

Below follows some of the imagery I've been creating for them.


Julian Assange opens the floodgates


Dominique Strauss-Kahn hops from parliament to parliament merrily


New Thessaloniki mayor is bent in attracting Turkish vacationers with a brand new mosque

and so on.

This is an interesting thing for me because I do not come up with the themes of these. They illustrate pieces written by independent editorial, with whom I must be in constant conversation. It's an interesting take of 'tell me what to draw' and I'm glad I did a bit of that in this blog before I went out to search for work, as it helped acclimatize me with editorial demands. I'm still working around the ethical conundrum of drawing some of this stuff, but I'll return to this subject in the future, when hopefully my opinion will have crystallized. It does serve as a great opportunity to sharpen both my skill at capturing likeness (dreadful) and my skill at colouring (beyond dreadful).

I do one piece for them a week, which allows for independent projects on the side. For the last month and a half I've been working for them, I have focused my free time in pursuits far from the drawing pad however. Writing about music and playing it as well. It seems I can't draw and then draw some more, easily. I'm sure when I have something important to say with pictures again, I'll do so. Colouring my last 24 hour comic is in the back burner for now.

This job will also finance the printing of the ZX comic, so there's that. And perhaps most importantly, this will be the first Christmas I'll be able to afford gifts for friends and family. I do not have a lot of protestant-esque pride in being a worker, much to the chagrin of other-minded family members, but there are certain advantages in having a modest income I do enjoy.

I'm not sure I should be posting the work I do for Epikaira as it's more-than-slightly outside the blog's scope. However it doesn't seem like I'll be doing more comics very soon, not until ZX is published, at least. The blog has been relatively quiet for a while, perhaps it's best to leave it like that until circumstance requires otherwise, no reason to force a semblance of activity. Those that must absolutely read Helmwords can migrate to Poetry of Subculture, which will remain more active.

If you're feeling some reticence over my newfound employment, you're right. I have doubts about many things and this year will be the one where I test some limits and make some informed (rather than imaginary) decisions on what I am to be. This sport is a costly one in currency of psychological wellbeing, I hope everything is going to be alright in the end.

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Tuesday, November 9, 2010

Man of Many Doorways




Pal TV effect fits this one. Clean pixels on Pixeljoint.

Here's some CPC eye-burnage for you too, courtesy of Ptoing.


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Friday, November 5, 2010

Talk is not conversation.


I'm told I am twenty-six years old and although I do not remember any real difference from when I was sixteen, that's probably the ghost of sentience giving me a false sense of continuity. I must have mutated a lot since then. Part of this process is reportedly maturation -- I am not certain on whether this is a real thing or an imaginary effect embroidered by thousands of years of literature, but I generally give these common knowledge concepts more the time of day now than I used to in the past. Does that prove something? I guess I'm less angry, less determined to change the world and more stoic and trying to accept the world as it is now. Is that what maturity's supposed to feel like? I don't know. I don't feel wiser in any case. Just more sensitive.


Here's a thing I'm more sensitive about lately. As most of you readers know by now, I'm an overthinker and an introvert pressuring himself to be an extrovert. I find social situations difficult and I've tried to stick to methods I feel work in order to get through them relatively unscathed. I avoid - if I can - gatherings of people where I have to interact with too many of them at once - not good at spreading myself thin - and when I talk to a specific individual, I try to have a real conversation with them. I always used to think this is a no-lose strategy as far as honoring the social code goes, even if they didn't end up liking my personality per se at the end of the meeting.

I'm slowly realizing that that's a wrong approach. It has to do with the discrete social differences between talking with someone and having a conversation with them.

I'm an introverted person who turns to the arts for self-expression. When I make something, a picture or song or comic or whatever else, that's enough in itself as far as self-expression goes. This is the reason I often make art and do not show it to many people at all. This makes sense as it is cowardly. A conversation with oneself really, art. The person who is not artistically inclined would have to suffer much greater risk when they want to express something: they'd have to talk to another human being face to face.

So when I do engage in conversation with people, what I'm after is not a lot of self-exposition, I don't discuss to turn the conversation on me even if I talk about my experiences a lot. It's always building towards an extrnal construct to be scrutinized by both parties, tinkered with and disassembled for mutual interest. Because I find other people fascinating through the subject, I learn a lot through this, a lot about them, their sense of reality and in informs my own point of view and reality as well. I don't express, I am impressed upon.

So when people talk to me, I often default to engaging in conversation with them, instead of just listening to them until they're done. Those of you who are like me probably immediately know what I'm talking about when you read this. With age I'm beginning to realize that whereas, when I am comfortable with someone, I want to converse with them on a topic with a degree of rigor and achieve a positive movement through the argument, when most other people are comfortable with someone, what they want to do is express themselves in that safe space. They get really ticked off - though they don't always show it - when the conversationalist is trying to move their self-expression towards argument time.

The social code for these two situations is very different. One encourages and rewards rhetoric and logical gambits, it's almost a game of 'let's see who can find the smartest solution on what we're talking about'. The other rewards patience and non-judgment until some serenity is achieved. One state is problem-solving, the other is problem-accepting. Both are very valid impulses.

Most people who do not make art do not have a direct way to work themselves out, that is, to problem-solve the art coward way, without needing other people and their hanging judgments. Their mirror isn't painting or music or writing, it is other people. Fractures hang in the balance when they express themselves in that space.

So slowly I'm adopting a new mode of social interaction with new people (and some old people I've perhaps misunderstood). When they talk to me, I don't mistake that for a conversation. The implication is that people want to talk to me - sometimes at length - and I should mostly keep quiet. They'd never say that out loud but that's what's going on. If they want me to tell them my opinion, they'll nudge me for it, it's not taken for granted that because they're talking to me on a subject that appears within limits, it really is.

This probably reads as painfully basic to half of you. Just think of the other half that's struggling to realize this social nuance for decades.

Also it might be too late for me to change my social persona on this level. The people that know me and hang out with me are usually logical debaters. Like seeks alike and all. If I start to go quiet they'll take that a sign of boredom or frustration. So I'll have to choose when to test this out well.

For people like me, when we're told something and we do not have something to reply with we feel unease and almost anxiety, as if we're failing some social test and we'll not be liked and popular because we didn't have something profound to offer. On the other hand, for those that seek self-expression through talk, the constant barrage of the opinion-nerds is suffocating and exhausting.

I'm not going to be a therapist for every person I meet. But instead of taking sociality for granted, let's instead keep this as a reminder: when people want to talk and self-express, even if there's violence or ignorance in their mode, that's still part of human interaction. The choices should not be binary: either even-handed logical analytical debate or abject silence. It's a difficult thing for me to internalize, but I'm trying.

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Tuesday, October 26, 2010

Cat Castle




I'm cat sitting for this cat. And he's awesome.

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Saturday, October 23, 2010

ASCIIpaint... descent into a deeper pit of nerddom

Yeah, Melly made a tool called ASCIIPaint.

It's pretty rad.

Here's an image I made using it. The first of many.



(god, click it. Click it before it dies!)

Follow thread, app development and make your own art by getting the tool from here.

I have no idea what this looks like to people that don't immediately get how the picture is composed. As a long-time pixel artist, I find this method of work very refreshing because the pixels are LARGE and the symbol characters smaller, so there's a degree of reversal of pixel art methodology to this. Which probably means I'll make more art for it.



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