This page is kinda pressed for space, it could have been two pages and breathed a bit more but then the pace would lag somewhat. That's the sort of thing you'd save yourself from if you were to plan your comic much more ahead than when you sit to pencil it, but in the end I think the damage is minimal.
The panel with boxy car next to boxy kiosk and curiously unshaded ZX appeals to me. Other parts of this page, not as much.
Last row leftmost two panels, check out cloud of despondency behind Mary, then it dissipates somewhat. The connection is momentarily lost. Stephan, delivered in his safe environment after all that emotion, is rendered in the simpler forms of a child.
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