Page 2 out of 4. You can tell I was inexperienced here by how random the panel border rules are and how much the camera moves around. From the side, to the left, from above, toads view... a mess, really, heh. I wanted to be EXCITING with the camerawork. Much like a film director I know now that if the scene is low-key, then the camera-work should be low-key.
You may notice the comic-tone work ends when he leaves the city and this watercolor thing starts in its place. There is a reason for this to be explained soon enough. Keep reading and keep communicating!
-Helm
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