As usual, click for intended sizes.
The color work is getting faster and more streamlined. I'm working under very tight deadlines. Eventually I'll become fast enough that I will be able to experiment more with formalist aspects even within those strict timeframes. I am enjoying my work more, at least. Some pieces are more painterly, others are more comic arty in their method, a good balance to keep me interested and the results relatively fresh. Now on to the last (? see below) batch of Scribbles.
Self portrait. This is probably my pick from the lot and my second favorite self-portrait on the whole. There's a slight psychoanalytical comment in this on how I use complexity as obfuscation, and therefore, as a shield. It's a reminder to untangle myself. That such a potent (for me) piece occurred through scribbling means the experiment was generally successful.
This is about details. Where the neck meets the jaw.
This is just cyberpunk faux-machinery stress relief inking. The last one I've made and the one that made me feel as if I'm done with Scribbler for now.
This isn't very good, but included for the soft approach. The program's not too suited for this.
This one was fun to do. It says "Thresholds" at the top. It's a re-imagining of a Heavy Metal album cover by the band Nocturnus, done from memory. I checked later to see how close it was. Not at all. This is also one of the rare pieces that I did where I started from a black base, hence the kind of chalky highlights and so on. Neat.
This is Roger Dean-esque stress relief. Enjoyable for me and a continuation from Scribbler_12b.png. Perhaps the ink hatching was a bit too harsh for the intended effect.
This is joyfully (or perhaps, morosely) subtitled "I am on the internet!". This little bird character has this wonderful landscape vantage from his treehouse and yet he browses.
The finality of the above theme. Trapped.
Scribbler helped in a very direct way with getting me back into drawing for pleasure. After ZX I've grown accustomed and perhaps dependent on 'perfect inking'. Great DPI, greater zoom strength, curve correction and other such OCD processes that make my inking perhaps a bit sterile. Once I got the critique "Helm, now that you ink digitally your stuff is worse" to which I replied "this is how I always wanted to ink so uh, bad luck for us both I guess". My aspiration for 'perfect lines' will never be satiated.
However this is akin to writing a book and never going on page two until the syntax and grammar (not to say the notions and thoughts) are absolutely as perfect as they can be. This is how I made ZX (more or less, nothing perfect there, but surely a struggle towards this direction) and I believe someone can write such a book if it a very important book to write, for their psychological well being.
However for faster, simpler, stress-relief work, this obsession with perfection is counter-intuitive. Scribbler helped in that it has no zoom and its mechanic for rendering is just a tad unpredictable. There has been a reconciliation with roughness in ink through it. I wonder if it'll impact my high-purpose work as well. I don't really know if I'm done with Scribbler completely, but I know that I'm done with using it every day for a while, at least. It's been therapeutic, but there's further steps to take now. I'm in the middle of moving out, life is happening!
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