Will we, really?
This is one of the pages that gave me a lot of trouble. Both the big portrait of Mary and the pseudo3d schema explanation of the derive premise. The first part was just due to my ineptness at drawing women, and since I've made it I have recieved several bits of correct criticism about the face and the arm that I'm going to put to good use once I'm done with the comic and move on to fixes and alterations before publication.
The second part was just due to how time-consuming the process was. I actually took a map of the streets of Paris from the internet, distorted it with perspective tool and steadily traced the city block shapes. That was the easy part, though, actually shading and doing the manual emboss on the edges was the difficult (read: boring) part. I have to say that sometimes I wonder if these expansive ideas I get before I start some pages, when realized, make a discernible difference for the reader at the end. I mean, could I have just slapped a vector map of Paris on there - or indeed, any map of any place - and called it a day and nobody would have complained? I wonder about self-impressed notions about what is 'cheap' and what isn't, sometimes.
On the whole, I'm fond on the page but I'll be fonder once I fix the things that need fixing on it, at the end of the journey. The blog is steadily - and scarily - catching up with me, by the way. This is page 16, and I'm on page 22... I hope it doesn't ever completely catch up and I have to draw the page that will go on monday, during the week before it, if for no other reason than how that'd mean I've slacked off for a month and a half somewhere in there...
-Helm
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1 comment:
If it's any comfort, I'm now hella impressed that you actually went through all that work.
Good show!
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